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BP Magazine 08/18

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References

Ben Folds "Uncle Walter" by Ben Five

Music and Tabs B A S S P L A Y E R. c o m

Learn Robert Sledge's bass lines

Rocco Prestia 50th Anniversary

Tower of Power's Andy West and Fingerstyle Funk

Behind the Dixie Dregs Redux

Bass Orchestration

Greta Van Fleet and Melody First

Behind the Bass

Steve Swallow & Thump? Review by Harvey Citron

Gillett Contour Acoustic Bass Guitar Bassics BPA-1 Preamp

Robert Hurst Design by BOP, Motown & Cuba August 2018 Issue $5.

Sponsor: P L Ay W I T H T H E B E S T™ GHSSTRINGS. com 800.

Evan Marien plays with the best Evan Marien x Dana Hawkins

Custom Light (35-58-70-90-90-121) Bass Super Steels Evan Marien Photography by Pixfm Journalism

E l e c t r i c g u i t a r

R e o o r o r

Promise Feelings, North Hollywood, CA Feb 13, 5:58 PM Acoustic instruments create vibrations that resonate musically and emotionally. Corey McCormick with Lukas Nelson & amp; amp; Promise of the Real / Neil Young plays a Mod TX bass in the studio. This is when you feel it most. When the notes are carefully scrutinized. When the song dictates everything. Ovation, innovation that promises effortless playback. ovationguitars. com © 2018 Drum Workshop, Inc. All rights reserved.

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New arrivals. New colors. Authentic tone.

Fender, Fender script, P Bass and the distinctive head commonly found on Fender guitars and basses are registered trademarks of Fender Musical Instruments Corporation.

5/23/18 11:36 1:41 pm 6/7/18

Volume 29, Issue 8

B A S S P L A Y E R. C o m

Table of Contents

Features

10 Community Low, Dig My Rig, The Real World, The Court 24 New Gear Electro-Harmonix, Grosbeak, Deepspace, Enki, Omec 66 Innovators Mark Dronge of Dr Strings.

Ben Folds "Uncle Walter" by Ben Five

56 Robert Sledge spins melodic support lines and wavy solos while arising and erasing distortions.

Photo Coverage by Paul Haggard Bass Player (ISSN 1050-785X) is Published by NewBay Media LLC, 28 East 28th Street, NY 10016. Will be paid to New Bay, New York and other post offices. Canada GST number R13288078, customer number 2116057, contract number 40011901. BOX 2029 LANGHORNE, PA 19047-9957.

38 Return to the dawn Dlegs Tour at the dawn of Dixie Drugs with the lon g-term super fans in the band. Steve Bailey

44 Gillettttttttttttttt Contour & Amp; Slimline Contour ABGS 46 BASSLINE BPA-1 PREAMP

After 50 years of 26 Tower of Power, Rocco looks back on its style, influence, distress, and future. Chris Gigi

14 Sam Kiszka Hard Rock is Live with Van FLEET 16 WILL TURPIN from the Collective Soul to Driving The SerenGeti 20 Under the Bass ABOUTAT All Bass 22 BP Recommends

48 The Inquirer Active Electronics 50 Bath Swallow / Something in Citron

12 Robert Hearst First Call Magic Man

52 JACO'S JAZZ CONCEPTS "Liberty City" 54 R & Amp; b Gold The Great Music of 1968

Base Player. com / A U G U S T 20 1 8

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bassplayer. com to follow Twitter. Com/BassplayERnow Facebook. Com/Bassplayermag Content Editing Director

Michael Morenda, [ E-mail protection] Editorial Department Chris Gigi, [ E-mail protection] Managing editor Patrick Won, [ E-mail protection] Consulting editor curlorat, senior editor

E. Bloodman, Jonathan Herella Contributor Ed Freedland, John Gold Suby web and Contributor John Daurier Lighter Jimmy Leslie Paul Hagada Santana

Senior Design Production Manager

Advisory Board Kenny Aaronson, Jeff and Ruis, Steve Bailey, Jeff Berlin, Brian Brombg, Ron Carter, Phil Chen, Stanley Clark, Art Davis, Nathan East, Andy Gonzales, Andy Gonzales , Barry Green, Stuart Ham, David Hun Date, Anthony Jackson, Daryl Jones Dave, Will Lee, Will Lee, Michael Munring, Christian McBlide, Marcus Miller, Pinot Paradino, John Pattytch, Josh Paul, Dave Pomeroy, Chuck Rainy, Rufus Reed, Steve Rodby, Billy Seafin, Lee Sukler, Steve Swarow, Gerald Vyze, Vadine White, Doulie Willis, Doug Winbish Victor Victor Uoten Advertising Sales Director Luke Edson [E-mail protection] Director Jonathan Bradner in charge of advertising [E-mail protection], (917) 281-4721 Director in charge of advertising [Protection], (6500 ) 238-0344 広告マネージャー Jeff Donnenwerth [保護された電子メール], (212) 378-0466 広告マネージャー Jason Perl [保護された電子メール], (646) 723-5419 広告マネージャー Scott Sciacca [保護された電子メール ], (646) 723-5478

Customer Service Subscriber Services To subscribe, change your address, or check your current account status, visit bassplayer. com and click on about us, email us at [Email Protected], call us at 800-234-1831, or write us at P. O. Box 2029, Langhorne, PA 19047. For microbiome inquiries, contact National Archives Publishing Corporation at 800-521-0600 or search for the series under Microbiome Listings on NAPUBCO. com. Back issues are available. For more information, please visit www. proquest. com. Reprints/Copyright This magazine may not be reproduced or quoted in whole or in part, in print or electronic form, without the written permission of New Bay, Inc. For permission, please contact Wright's Media at 877-652-5295. Newway! CEO: Julian March COO: Aaron Assadi Group Content Director: Paul Newman Commercial Finance Director: Dan Jocham

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Melbourne reader Kimberry Bay Sel, Australia, told me that it was the 65th anniversary of Art Farmer Septet [1953, Prestige]. This album, which was recorded in Van Geldar Studio in New Jersey, is a Trumpeter Farmer's debut album, Quincy Jones (Piano) arranged, trombone player Jimmy Cleveland, Sachroford Clifford Solomon. Drummer Sony Johnson is participating as a septet. In the first four songs, the unit is fixed to the accurate sound of the 5 1-made fender removed by Monk Montgomery with the thumb. He has discussed the electric bass in jazz, such as Steve Swallow, Bob Cran Show, Anthony Jackson, and John Patchcch, and has bought Montgomeri's 70's solo side as a child. As a person, I decided to listen to YouTube. What a surprise! It's not solo here, but Monk is doing anything. "In this" art work, "Monk duplicates a part of the melody of the trombone, using expressive spoons and bebop phrasing, and walking behind the soloist. "In the Quincy's Room" is kicked off with a funk / Latin figure, and the truck moves back and forth between the straight line and the swing feeling. The last is the 12-bar BB blues "THE LITTL" of the up tempo.

My father, Del Rivera, has been playing for more than 40 years, and these are his bass (left to right): Sire Marcus Miller V7, Roscoe 6-string, 2 Sadowsky Vintage 4-string J Base, Fretless Douglas 6 strings 。 His amplifier collection includes two SWR GOLIATH JUNIOR III, 2 EDEN D112XST 1X12 cabinets, EDEN D410XLT 4X10 Cabinet, 4 AguiLar Gs 112 NT There is X12 cabinet. I use two EDEN WORLD TOUR 800 heads and EDEN WTPRE WORLD TOUR PRO BASS preamplifiers. Send the photo and explanation to [Email Protected].

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Ted Gold III, commonly known as Blythe

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Gig Jigaboo Moderisti (The Meter's), Jody Watri, Citizen Five, Marina Claus / Garth Webar Band, other churches, theaters, and thousands of requests have been performed.

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What kind of lessons did you take?

What are your music goals?

I grew up in New Orleans a little away from Congo.

I am working on a project after a long absence that seems to be from New Orleans

Square. My cousin's husband had Gibson's EB-3 and borrowed it when he was going to school and took it to school.

Seriously influenced by Minneapolis Funk

I was playing the bass in high school.

Southern rock. The goal as a band leader is

I was working seriously until I was in my 30s.

Sideman is to participate in a good story.

By playing, you can get a performance degree.

Through music that makes people feel something.

Classic contrabass

Gnods

Do you use effects? Or is the pedal only guitarist? I'm doing a thre e-piece band that plays the original song. In addition to traditional ones

When trying to use effects, I always use the effects (clearly in the band's context).

We also use effects on the base to provide different fun.

Good bass, good amplifiers, and hands have been concluded that it is a texture and color of our song.

It's a texture and color of our song. There is no reason to limit the roles of the bass, amplifier and hands.

F E Rando Yo Cota

If you do not play traditional music, you have to play our instruments under the traditional nam e-Dwayn E Ta Keda

The base sounds like a base. Never use pedals. Pat Ri Ck me rri L L L L

99 % of what I am doing can do with bass, cable and amplifier. If you can't groove the song without effects, become a guitarist! -Atonio Ganti A

I use volume pedals, tuners and compressors. I've been buying and selling effects for many years to spend a lot of money, but I don't really need it.

I play the bass and use amplifiers. There is a setting on both the base and the amplifier. Listen to various sounds using your fingers. Except for the basics

I don't buy much except for the basics. But when I saw Victor Uten blocking using a looping pedal, I wanted to try it again! -J I M C H L U P

JOEL COBELIN I don't use such a silly thing for my bass. If you need a pedal to make the sound you want to make when you listen to your finger, bass, and the sound you want to make, it's between the amplifiers.

And amp.

The sound is wonderful. But the sound you already hear is not the pedal. What you need to make that sound, use i t-Paul Ga LDI

It depends on the case. Sometimes a set of art materials is needed, and sometimes only pencils are needed.

I have been playing for more than 30 years, but I have never felt the need to sandwich anything other than the cable between the base output and the input of the amplifie r-Mel Dugas

It is troublesome to play with pedals. I just want to play the bass happily! -B l Ake jami s on

Use what you need. Cleaning shops are noisy, but they have the right to say opinions. Most nights are bass and amplifiers, but other bands require more options. "-Mark Stears

Bassplayer. com / au gu's t 20 1 8

Robert Hurst Pocketful of Jam by Ken Micallef < Span> The base sounds like a base. Never use pedals. Pat Ri Ck me rri L L L L

Base Player. com / A U G U S T 20 1 8

I use volume pedals, tuners and compressors. I've been buying and selling effects for many years to spend a lot of money, but I don't really need it.

I play the bass and use amplifiers. There is a setting on both the base and the amplifier. Listen to various sounds using your fingers. Except for the basics

I don't buy much except for the basics. But when I saw Victor Uten blocking using a looping pedal, I wanted to try it again! -J I M C H L U P

Base Player. com / A U G U S T 20 1 8

And amp.

The sound is wonderful. But the sound you already hear is not the pedal. What you need to make that sound, use i t-Paul Ga LDI

It depends on the case. Sometimes a set of art materials is needed, and sometimes only pencils are needed.

I have been playing for more than 30 years, but I have never felt the need to sandwich anything other than the cable between the base output and the input of the amplifie r-Mel Dugas

Base Player. com / A U G U S T 20 1 8

Use what you need. Cleaning shops are noisy, but they have the right to say opinions. Most nights are bass and amplifiers, but other bands require more options. "-Mark Stears

Bassplayer. com / au gu's t 20 1 8

Robert Hurst Pocketful of Jam by Ken Micalleff is a bas e-like basis. Never use pedals. Pat Ri Ck me rri L L L L

99 % of what I am doing can do with bass, cable and amplifier. If you can't groove the song without effects, become a guitarist! -Atonio Ganti A

I use volume pedals, tuners and compressors. I've been buying and selling effects for many years to spend a lot of money, but I don't really need it.

I play the bass and use amplifiers. There is a setting on both the base and the amplifier. Listen to various sounds using your fingers. Except for the basics

Base Player. com / A U G U S T 20 1 8

JOEL COBELIN I don't use such a silly thing for my bass. If you need a pedal to make the sound you want to make when you listen to your finger, bass, and the sound you want to make, it's between the amplifiers.

And amp.

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Elim Rim - Journalist, creative writer

Last modified 12.12.2024

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