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BP Magazine 08/18
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References
Ben Folds "Uncle Walter" by Ben Five
Music and Tabs B A S S P L A Y E R. c o m
Learn Robert Sledge's bass lines
Rocco Prestia 50th Anniversary
Tower of Power's Andy West and Fingerstyle Funk
Behind the Dixie Dregs Redux
Bass Orchestration
Greta Van Fleet and Melody First
Behind the Bass
Steve Swallow & Thump? Review by Harvey Citron
Gillett Contour Acoustic Bass Guitar Bassics BPA-1 Preamp
Robert Hurst Design by BOP, Motown & Cuba August 2018 Issue $5.
Sponsor: P L Ay W I T H T H E B E S T™ GHSSTRINGS. com 800.
Evan Marien plays with the best Evan Marien x Dana Hawkins
Custom Light (35-58-70-90-90-121) Bass Super Steels Evan Marien Photography by Pixfm Journalism
E l e c t r i c g u i t a r
R e o o r o r
Promise Feelings, North Hollywood, CA Feb 13, 5:58 PM Acoustic instruments create vibrations that resonate musically and emotionally. Corey McCormick with Lukas Nelson & amp; amp; Promise of the Real / Neil Young plays a Mod TX bass in the studio. This is when you feel it most. When the notes are carefully scrutinized. When the song dictates everything. Ovation, innovation that promises effortless playback. ovationguitars. com © 2018 Drum Workshop, Inc. All rights reserved.
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Franz Lions Turnstile Player Series Precision Bass But Tercream
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Often imitated. Never copied. Imported
The Player Precision Bass Series
New arrivals. New colors. Authentic tone.
Fender, Fender script, P Bass and the distinctive head commonly found on Fender guitars and basses are registered trademarks of Fender Musical Instruments Corporation.
5/23/18 11:36 1:41 pm 6/7/18
Volume 29, Issue 8
B A S S P L A Y E R. C o m
Table of Contents
Features
10 Community Low, Dig My Rig, The Real World, The Court 24 New Gear Electro-Harmonix, Grosbeak, Deepspace, Enki, Omec 66 Innovators Mark Dronge of Dr Strings.
Ben Folds "Uncle Walter" by Ben Five
56 Robert Sledge spins melodic support lines and wavy solos while arising and erasing distortions.
Photo Coverage by Paul Haggard Bass Player (ISSN 1050-785X) is Published by NewBay Media LLC, 28 East 28th Street, NY 10016. Will be paid to New Bay, New York and other post offices. Canada GST number R13288078, customer number 2116057, contract number 40011901. BOX 2029 LANGHORNE, PA 19047-9957.
38 Return to the dawn Dlegs Tour at the dawn of Dixie Drugs with the lon g-term super fans in the band. Steve Bailey
44 Gillettttttttttttttt Contour & Amp; Slimline Contour ABGS 46 BASSLINE BPA-1 PREAMP
After 50 years of 26 Tower of Power, Rocco looks back on its style, influence, distress, and future. Chris Gigi
14 Sam Kiszka Hard Rock is Live with Van FLEET 16 WILL TURPIN from the Collective Soul to Driving The SerenGeti 20 Under the Bass ABOUTAT All Bass 22 BP Recommends
48 The Inquirer Active Electronics 50 Bath Swallow / Something in Citron
12 Robert Hearst First Call Magic Man
52 JACO'S JAZZ CONCEPTS "Liberty City" 54 R & Amp; b Gold The Great Music of 1968
Base Player. com / A U G U S T 20 1 8
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Melbourne reader Kimberry Bay Sel, Australia, told me that it was the 65th anniversary of Art Farmer Septet [1953, Prestige]. This album, which was recorded in Van Geldar Studio in New Jersey, is a Trumpeter Farmer's debut album, Quincy Jones (Piano) arranged, trombone player Jimmy Cleveland, Sachroford Clifford Solomon. Drummer Sony Johnson is participating as a septet. In the first four songs, the unit is fixed to the accurate sound of the 5 1-made fender removed by Monk Montgomery with the thumb. He has discussed the electric bass in jazz, such as Steve Swallow, Bob Cran Show, Anthony Jackson, and John Patchcch, and has bought Montgomeri's 70's solo side as a child. As a person, I decided to listen to YouTube. What a surprise! It's not solo here, but Monk is doing anything. "In this" art work, "Monk duplicates a part of the melody of the trombone, using expressive spoons and bebop phrasing, and walking behind the soloist. "In the Quincy's Room" is kicked off with a funk / Latin figure, and the truck moves back and forth between the straight line and the swing feeling. The last is the 12-bar BB blues "THE LITTL" of the up tempo.
My father, Del Rivera, has been playing for more than 40 years, and these are his bass (left to right): Sire Marcus Miller V7, Roscoe 6-string, 2 Sadowsky Vintage 4-string J Base, Fretless Douglas 6 strings 。 His amplifier collection includes two SWR GOLIATH JUNIOR III, 2 EDEN D112XST 1X12 cabinets, EDEN D410XLT 4X10 Cabinet, 4 AguiLar Gs 112 NT There is X12 cabinet. I use two EDEN WORLD TOUR 800 heads and EDEN WTPRE WORLD TOUR PRO BASS preamplifiers. Send the photo and explanation to [Email Protected].
Bassplayer. com / A U G U S T 20 1 8.
Ted Gold III, commonly known as Blythe
Base Player. com / A U G U S T 20 1 8
Gig Jigaboo Moderisti (The Meter's), Jody Watri, Citizen Five, Marina Claus / Garth Webar Band, other churches, theaters, and thousands of requests have been performed.
Base Marco TFL Relic, Mike Lull M5V, American Fender Precision Rig Aguilar DB 751 And AG 700 HEADS, 2 GS 112 CABS 1X12 Strings, Mxr DALS (Compressor, Octave, Envelope PH Filter, FUZZ).
Heroes and inspired prinses, Prince camp bassists, especially Brown marks, Andre Simon, Ronda Smith, Levi Seasa Jr., St. Paul Peterson, Larry Graham, George Porter Jr. and others.
Participating in the D'ADARIO player circle has a chance to win limited benefits, new equipment previews, special events, and carefully selected prizes. You can get bonus points by sharing, posting, and diffusion! Player Circle.
Contact Flytdiary. com, Sonofabass. com, YouTube.
What kind of lessons did you take?
What are your music goals?
I grew up in New Orleans a little away from Congo.
I am working on a project after a long absence that seems to be from New Orleans
Square. My cousin's husband had Gibson's EB-3 and borrowed it when he was going to school and took it to school.
Seriously influenced by Minneapolis Funk
I was playing the bass in high school.
Southern rock. The goal as a band leader is
I was working seriously until I was in my 30s.
Sideman is to participate in a good story.
By playing, you can get a performance degree.
Through music that makes people feel something.
Classic contrabass
Gnods
Do you use effects? Or is the pedal only guitarist? I'm doing a thre e-piece band that plays the original song. In addition to traditional ones
When trying to use effects, I always use the effects (clearly in the band's context).
We also use effects on the base to provide different fun.
Good bass, good amplifiers, and hands have been concluded that it is a texture and color of our song.
It's a texture and color of our song. There is no reason to limit the roles of the bass, amplifier and hands.
F E Rando Yo Cota
If you do not play traditional music, you have to play our instruments under the traditional nam e-Dwayn E Ta Keda
The base sounds like a base. Never use pedals. Pat Ri Ck me rri L L L L
99 % of what I am doing can do with bass, cable and amplifier. If you can't groove the song without effects, become a guitarist! -Atonio Ganti A
I use volume pedals, tuners and compressors. I've been buying and selling effects for many years to spend a lot of money, but I don't really need it.
I play the bass and use amplifiers. There is a setting on both the base and the amplifier. Listen to various sounds using your fingers. Except for the basics
I don't buy much except for the basics. But when I saw Victor Uten blocking using a looping pedal, I wanted to try it again! -J I M C H L U P
JOEL COBELIN I don't use such a silly thing for my bass. If you need a pedal to make the sound you want to make when you listen to your finger, bass, and the sound you want to make, it's between the amplifiers.
And amp.
The sound is wonderful. But the sound you already hear is not the pedal. What you need to make that sound, use i t-Paul Ga LDI
It depends on the case. Sometimes a set of art materials is needed, and sometimes only pencils are needed.
I have been playing for more than 30 years, but I have never felt the need to sandwich anything other than the cable between the base output and the input of the amplifie r-Mel Dugas
It is troublesome to play with pedals. I just want to play the bass happily! -B l Ake jami s on
Use what you need. Cleaning shops are noisy, but they have the right to say opinions. Most nights are bass and amplifiers, but other bands require more options. "-Mark Stears
Bassplayer. com / au gu's t 20 1 8
Robert Hurst Pocketful of Jam by Ken Micallef < Span> The base sounds like a base. Never use pedals. Pat Ri Ck me rri L L L L
Base Player. com / A U G U S T 20 1 8
I use volume pedals, tuners and compressors. I've been buying and selling effects for many years to spend a lot of money, but I don't really need it.
I play the bass and use amplifiers. There is a setting on both the base and the amplifier. Listen to various sounds using your fingers. Except for the basics
I don't buy much except for the basics. But when I saw Victor Uten blocking using a looping pedal, I wanted to try it again! -J I M C H L U P
Base Player. com / A U G U S T 20 1 8
And amp.
The sound is wonderful. But the sound you already hear is not the pedal. What you need to make that sound, use i t-Paul Ga LDI
It depends on the case. Sometimes a set of art materials is needed, and sometimes only pencils are needed.
I have been playing for more than 30 years, but I have never felt the need to sandwich anything other than the cable between the base output and the input of the amplifie r-Mel Dugas
Base Player. com / A U G U S T 20 1 8
Use what you need. Cleaning shops are noisy, but they have the right to say opinions. Most nights are bass and amplifiers, but other bands require more options. "-Mark Stears
Bassplayer. com / au gu's t 20 1 8
Robert Hurst Pocketful of Jam by Ken Micalleff is a bas e-like basis. Never use pedals. Pat Ri Ck me rri L L L L
99 % of what I am doing can do with bass, cable and amplifier. If you can't groove the song without effects, become a guitarist! -Atonio Ganti A
I use volume pedals, tuners and compressors. I've been buying and selling effects for many years to spend a lot of money, but I don't really need it.
I play the bass and use amplifiers. There is a setting on both the base and the amplifier. Listen to various sounds using your fingers. Except for the basics
Base Player. com / A U G U S T 20 1 8
JOEL COBELIN I don't use such a silly thing for my bass. If you need a pedal to make the sound you want to make when you listen to your finger, bass, and the sound you want to make, it's between the amplifiers.
And amp.