24 best movie scenes where you can experience surround sound

Looking for the best movie scene that shows the power of the surround sound system? We have prepared what you need.

If you purchase from the link on this site, affiliate rewards may be generated. See the mechanism

(image)

Home Cinema Week, of course, is a great opportunity to watch some movies. In the case of this list, let's listen to some movies. The surround sound is the best way to immerse yourself in the movie you are watching. The sound can wrap you from every angle and immerse yourself in the movie.

If you are looking for a scene where you can enjoy surround sound with AVR and surround speaker system, please visit this site recommendation. Is there a space to install a full system? The Dolby Atmos Sound Bar is a fine alternative when there is no space or budget.

If you look at these film scenes, you'll see the true ability of your AV system, regardless of the 5, 1, 7, 2-channel system, or a Dolby Atmos setup with the ceiling or overhead speaker added. The volume dial is ready.

Interstellar (2014) --Warm Hall

Interstella r-Warm Hall scene (HD R-4 K-5. 1) --Youtube

It is easy to create a comprehensive and comprehensive list, including Hans Zimmer's soundtrack.

One clear thing is that there is something more than the volume and impact to provide immersive sounds.

This scene is a slow that starts with a delivery that makes you feel nervous and imminent dramas, as many of his classics are. The rugged bass wakes up the subwoofer, and the dive to the black hole excites the action. The ominous organ sound changes to a pani c-induced detail, and the ship is about to break around you.

Without an overwhelming video, without a great soundtrack, Interstellar would definitely not have given the same impact. It is a wonderful work that reminds me of the splendor of the home cinema.

What hi-fi? Circular

We will deliver the latest HI-Fi, home cinema, technology news, reviews, shopping tips, and campaign information directly.

By sending customer information, it is deemed to have agreed to the Terms of Use and Privacy Policy; agree to the Terms of Use and Privacy Policy, and make sure you are 16 years old or older.

House of Flying Daggers (2004) --Spo 4

House of Flying Daggers (Echo Game Scene) --Youtube

Zhang Yimou's gorgeous martial arts film has a soundtrack as vivid as its exotic imagery.

The system must track the trajectory of the beans fired by the policeman in slow motion, bouncing off the drum circle and flying painstakingly around the room. Integration is key here, the sound field must occupy the same dimensions as the drum layout and be just as tightly bound together.

Inflatable percussion is a good test of dynamics, while smashing glasses and dancer headpieces challenge speaker tweeters to cap the high notes.

Still? Then there's a five-minute bamboo race, with branches snapping and undulating, in a test of precision and consistency.

Unbroken (2014) - Bombing Raid

Unbroken (2014) First Bombing Scene - YouTube

Want to get your hands on Dolby Atmos? Get yourself a waterproof Angelina Jolie replica and head straight to the air raid. Right from the start, we open with a choral score that should sound heavenly on your speakers. It slowly gives way to the buzz of the nearest bombing squadrons, and you can hear real dimension from the individual rotors of the whirring propellers.

The meat of the action is the dogfight with a Japanese plane passing through the soundscape, closely followed by the sound of artillery fire as the Japanese planes circle after them.

Atmos isn't just about height. More axes of sound mean that designers can not only select and place effects in the sound field, but also add that dimension. This scene has both, and if you're not banging your head every time the enemy makes another pass, it's time to upgrade your gear.

Kraftwerk 3-D: The Catalogue (2017) - Chapter Autobahn

Kraftwerk 3-D The Catalogue - YouTube

In 2017, electronica pioneers Pop released a 3D concert film (in Dolby Atmos, covering the 70s and 80s Oeuvre across eight albums) of shows from 2012 to 2016. We know what you're thinking: "Give me your debit card right now."

The typical concert design of the bed rock is definitely impaired because there is no noise of the crowd, but the 5. 1 Dolby Atmos (Bl u-ray also includes headphones surround mixes) is the techno machines. It's mi d-day, like a loose projection reflected behind. Especially the one that makes you want to close your ears is the 1 4-minute live version of "Outburn", one of the most expensive and sophisticated songs. Let's say from the conclusion: You should be able to enjoy a great sound with your system.

And it looks. This song, which promises to enjoy melody and technology with a high sense, is one of the most brilliant performances by arranging antique cars and drive r-less cars in the scenery of nobody. I am.

Baby Driver (2017) --Spir 1

Baby Driver (2017) MovieClips Soon --Youtube

The opening scene of Edgar Light's "Baby Driver" is not very effective for the main channel, but it will like the front and rear pairs.

This sequence is performed as a stereo pair test. The entire scene is set in the bellbotom by the explosion of John Spencer Blues. This song is a song with a serious attack, and it has to respond to actual movements, not Dajare. If you don't want to listen to this song until the end of the stage, the setting is wrong.

But once the escape begins, it is all about how surround speakers integrate with the front speakers. When the car runs, the tires should be caught all over the soundscape, and they must not be clumsy enough to hear the effects from speakers to speakers. The ideal sound is to move the room delicately and seamlessly and forget the system.

R e-adjustment of the AVR level may be solved, but there may be more fundamental problems.

Taxi driver (1976) --Spirical Chapter

From the baby driver to a taxi, this classic scoses does not have a flashy production to try an effect that destroys a movie theater system.

From the moment the title sequence of this movie begins, the keywords on the front and back pairs are expressive and dynamism. Bernard Harman's wonderful score changes from a Langharid atmosphere to a dangerous atmosphere in an instant.

You are calling for the speaker blend into the background and make a round and open sound like a bath.

It is perfect for a keynote testing to answer questions about taxi in a job interview. He tweeted a bit, but his words should be beautiful and clear, and it would be impossible to hide his troubled personality behind it. His controller feels something strange between the big and the audience.

Spider-Man: Homecoming "(2017) --Ferry scene

Spide r-Man: Homecoming "(2017) --Ferry scene (5/10) ｜ MovieClips --Youtube

Speaking of Marvel, as well as action, web Singer is the best character to try surfing surround effects. Spide r-Man and Vulture's first confrontation is the best plan for the home theater.

Starting with ordinary busy actions such as left and right, top and bottom shots, skillful lines, light soundtracks, etc., they move to the full swing and flying festival of the two protagonists.

He rushes into the swing and flight festival by the two protagonists. When the ship is divided into two, there are some wonderful breakthroughs and hull bends-this must be conveyed by your system with a terrible weight to give a real scale. Nevertheless, this is also a scene where the talent of the system for dynamics and details is demonstrated.

The soundscape will be very exposed. The music is gone and you need to listen to the true empty silence between these incredible effects. There is no need for wee d-like settings.

Star Wars / Force Awakening] (2016) Chapter 7

Star Wars / Force Awakening] Official Tea Se a-YouTube

It is easy for speakers and AV receivers to point out that the heavy action scene of the movie will be the best training, but in a quiet scene, knowing the delicacy, evacuation, and dynamic of your system. You can do it.

The scene where Rei appears for the first time in the Force Awakening, not only loud sounds, but no lines. The universe is all, and the silence of the vast emptiness of the ruins, such as the cave of the Star Destroyer, should be awe.

In addition, it transmits the calm atmosphere of Rei when Ray appears on the desperate plains of the planet, the delicate and light thread of the ray theme of the ray theme when loading luggage on a speedster. It must be a system that can be done. Rough treatment loses surprise and adventure.

Guardians of Galaxy (2014) --Spo 2

Star Road's dance "Guardians of Galaxy" (HD) --Youtube

Home movie soundtrack is not necessarily for super-productive moments-the second sequence of Guardians of Galaxy is an example. This is the title scene where Peter Quill, an adult, arrives in Morag to find Infinity Stone. The movie creation here is all about the atmosphere and how it changes twice.

First of all, you need an ominous feeling of a deserted city. The system requires a dynamic ability to express one drop of rain, along with the chords of a moody soundtrack. The submarine must be enough size to raise the chest every time the splash splatters from the planet surface, but it must not be so soft enough to suffocate.

Then, when Quill puts on a walkman and plays "Cam and Get You Love", it takes time to bring out the fun and stupidness of the real rhythm to see him dancing in the cave.

Then, enter the action to confront Ronan's minions. The laser explosion, the sound of the quill jet boots, and of course the lines before the game also require a clear and clear pulse. This is a complete home movie training, and it will quickly show where the weakness is.

John Wick (2014) -Pharms 7

John Wick is the masterpiece of Keanu Reeves since Matrix. In fact, this killer, who has not retired, will be cooler than Neo in all aspects, such as costumes, weapons, and on e-off.

And this disk is not enough for a home theater system test. In the club scene of Chapter 7, Wick harms his best friends in the entertainment area of ​​the entertainment district, chasing the tattered Alfy Allen.

Although it does not have a significant impact on the environment, speaker packages require trajectory, flexibility, and huge muscles to handle extremely accurate choreography. The truck, the LED LED LED, is a convincing, a sense of persuasive purpose, and it is necessary to listen to all hits and direct hits from close range, clear and neat.

Even at your center, the moment of dialogue is everything. Well, dialogue is like a sigh and intense screams. But that's the job of the center channel. They should not really kill his dog.

Wal l-E (2008) --Spo 22

The importance of sound in the movie cannot be denied, but the sound is as a story, as Pixar's Wall-E, and it is rarely not a dialogue-free animation language. One of the most loved robots in Hollywood, pushing in the universe and becoming a fire extinguisher, Eve chases it and falls.

With his eyes closed, they track their position on the screen, and a subtle mechanical clicking sound of a fake water and a robot that is sprayed from the fire extinguisher (a blend of the sound of the composer and the composer). You should be able to immerse yourself in the back channel, upgraded musical instruments and sound designer Ben Burtt. There is also a line of red matching people in the center so that the keynote speaker can shine.

Pink Floyd: The Wall (1982) --Spo 9

This rock opera by the idea of ​​Floyd members, Roger Waters, has 95 minutes of music editing, live actions, animation, and his psychology of Rock Star, Pink Pink '(Bob Gerdov) and his psychology. It depicts the tragedy of the fallen fall. It's a dark and depressing work, but it's definitely a healing of audio, whether you are a Froid fan or not.

One of the first animated films using the Dolby Stereo Soundtrack, DVD in 1999 with 5. 1 Dolby Digital Sound Sound mix. In the 1983 BAFTA Film Award, there was only one good scene, so we could not win the Best Sound Award.

This song, which won the original song award at the Buffta Award, is not only subwoofer, but also an explosive dynamics and midrange stability. Light. It may be better to turn it off when an elementary school student is making noise in the classroom!

Star Trek (2009) --Spo 5

Star Trek (2009) -The Space Dock arrived --Youtube

I've seen billions of times, but the bones that continue to inject vaccines in Kirk, the end of the USS enterprise, and the boat riding the warp speed are the best in JJ Abrams's "Star Trek" restarting. One of the interesting moments.

Ideal for a home theater system test. You can feel the height and movement of the ship flying over the space fleet students while expanding in the hangar. Changes in scale and atmosphere when bones and kirk move to a small room. Listen to the small voice in the business and the blinking noise. And the humor of the dead bread with the wrinkled voice of Captain Pike.

Michael Giacchino scores fill the entire room, and when they first see a business, the moment they bloom beautiful flowers. The rising music ends with a horn, and it should be a moment when virgin stars finally appear. And when it reaches the warp speed, your system should provide a punchy and accurate acoustic effect, along with a deep and tight bass layer.

If you watch this broadcast and your back is not thrilled, it's time to look for a new home movie gear.

Blade Runner: Final Cut "(2017) --Spo Chapter 17

Blade Runner (3/10) Movie Clip- "Retired" Zhora (1982) H D-YouTube

Thanks to the release of ULTRA HD Blu-ray, Ridley Scott's typical science fiction films have been processed, gaining an impressive punch, depth, and dynamism sense.

In a crowd scene like Chapter 17, the hustle and bustle is expressed in the effects that indicate the accuracy of the spot regarding the arrangement in the sound field. Although it rains a lot of blade runners, it adds a vertical era that cannot be expected on a 7. 1ch truck.

Vangelis's mysterious score shows a wonderful excursion, and as a result, is a good example of the immersive feeling of Atomos.

Matrix (1999) --Spirical Chapter

Matrix (1999) Official Trailer #1 --SC I-Fi Action Movi e-YouTube

Keanu Reeves is a representative work of Washausky and is the second appearance on the list. Matrix's 4K Bl u-ray release contains Dolby Atmos soundtrack, and its splendor is origami.

Dan Davis's atonal music orchestra score should be a great accompaniment that expresses the screen action with the quality that has expanded the room around you.

The moment when Neo and Trinity call for guns ("Lots of guns") should reverberate throughout the room, and the iconic bullet sequence should penetrate the speakers so well that you'll want to reach for the rewind button. The bass should be big and present, but also clean and tightly controlled.

It's a tough workout for a cinema system. Played right, it sounds great.

Mad Max: Fury Road (2015) - Full Video (Really)

Mad Max: Fury Road Official Main Trailer [HD] - YouTube

This two-day chase opera may sound like a mess on a small system, but it doesn't have to be a wall of noise. You need a big power system to feel the roar of the engines that convey the scale of the wilderness, the windstorm, and the jagged, rusted monster cars.

Junkie XL's soundtrack is orchestral and intense, with angry drums that fuel the chase and chords and electronic rhythms that drive the action on screen. It takes a precise, modular system to make loud music, car noises, and explosions all flow together.

Every shot, every revving engine, every line of Tom Hardy's dialogue has to be distinguished. But the best bit is the distorted guitar riff that suddenly rings out every time the camera cuts to Doof's warrior. The guitarist in the red jumpsuit plays a flame-throwing double guitar with an absurd contraption strung to bungee cords. Yes, really.

Ford v Ferrari (2019) - The Race

Making a movie about the 24 Hours of Le Mans requires a beautiful, epic driving sequence. James Mangold's Ford v Ferrari delivers a 30-minute race that closes the final third of the film. With an interplay of interiors and exteriors, crashes, rain, and wide scoring (in the same key as the Ford GT 40 engine), the track is a sonic masterclass in authenticity and power, with a very human story at its core. The moment Neo and Trinity call for guns ("Lots of Guns") should reverberate throughout the room, and the iconic bullet sequence should penetrate the speakers well enough to make you reach for the rewind button. The bass should be big and present, but also clean, tight, and controlled.

It's a tough workout for a cinema system. Played right, it sounds great.

Mad Max: Fury Road (2015) - Full Video (Really)

Mad Max: Fury Road Official Main Trailer [HD] - YouTube

This two-day chase opera may sound like a mess on a small system, but it doesn't have to be a wall of noise. To feel the roar of the engines conveying the scale of the wilderness, the storm, and the jagged, rusted monster cars, you need a powerful power system.

The soundtrack of Junkie XL is orchestral and intense, with angry drums fueling the chases, and chords and electronic rhythms driving the action on screen. To make the loud music, car noises, and explosions all flow together, you need a precise, modular system.

You have to distinguish every shot, every revving engine, and every line of Tom Hardy's dialogue. But the best part is the distorted guitar riff that suddenly sounds every time the camera cuts to Doof's warriors. The guitarist in the red jumpsuit plays a double guitar that shoots flames, tying absurd contraptions to bungee cords. Yes, really.

Ford v Ferrari (2019) - Race

To make a movie about the 24 Hours of Le Mans, you need beautiful and spectacular driving sequences. Director James Mangold's Ford v Ferrari delivers a 30-minute race to close the final third of the film. With an interplay of interiors and exteriors, crashes, rain, and wide scoring (in the same key as the Ford GT 40 engine), the track is a sonic masterclass in authenticity and power, centered around a very human story. The moment when Neo and Trinity call for guns ("Lots of guns") should reverberate around the room, and the iconic bullet sequence should penetrate your speakers enough to make you reach for the rewind button. The bass should be big and present, but also clean, tight, and controlled.

A tough workout for your cinema system. Played right, it sounds great.

Mad Max: Fury Road (2015) - Full Video (Really?)

Mad Max: Fury Road Official Main Trailer [HD] - YouTube

This two-day chase opera may sound insane on a small system, but it doesn't have to be a wall of noise. You need a big power system to feel the roar of the engines that convey the scale of the wilderness, the windstorm, and the jagged, rusted monster cars.

Junkie XL's soundtrack is orchestral and intense, with angry drums that fuel the chase, and chords and electronic rhythms that drive the on-screen action. It takes a precise, modular system to make the loud music, car noises, and explosions all flow together.

You have to distinguish every shot, rev engine, and Tom Hardy's line. But the highlight is the distorted guitar riff that suddenly sounds every time the camera cuts to Doof's warriors. A guitarist in a red jumpsuit strung absurd contraption on bungee cords and plays flame-throwing double guitars. Yes, really.

Ford v Ferrari (2019) - The Race

A movie about the 24 Hours of Le Mans needs a beautiful and epic driving sequence. James Mangold's Ford v Ferrari delivers a 30-minute race that closes the final third of the film. With an interplay of interiors and exteriors, crashes, rain, and wide scoring (in the same key as the Ford GT 40 engine), the track is a sonic masterclass in authenticity and power, centered around a very human story.

However, the short race of the movie at the beginning of the movie is ideal to quickly operate the surround system. When Ken Miles, played by Christian Bale, gets out of Ford Cobra's open cockpit, you'll feel a strong wind coming from all sides. In the cabin, it is wrapped in broken windshield vibration, suspension, and gear gear. On the other hand, a seamless switch to an exterior shot can accurately detect a certain direction of a car that crosses the screen or slips off the course.

With an appropriate system, many layers of sounds should be intuitive and exciting without being overwhelmed. However, be careful when the mile breathing is focused and the harmonic drone begins to sneak up from behind. In the middle of the action, the impressio n-like audio storytelling will naturally wrap the viewers without being distracted or interrupted.

Blade Runner 2049 "(2017) --Spir 1

Blade Runner 204 9-Introduction & Amp; Amp; Opening scene [HD] --Youtube

"Blade Runner 2049", set 30 years after the previous event, is a work that has expanded the world view of the previous work rather than a sequel.

As with the first Blade Runner, "2049" also incorporates the sound into the score to create a uniform soundscape full of tonality, movement, and texture, ambiguous. In fact, the most most dolby atomos processed is music, which prevents the video from becoming narrowed at a long and intense moment.

If you look at the opening scene, you will immediately feel the music atmosphere. Like a subwoofer, one of the first sounds that impresses is a resonance and undulating bass. If your driver can handle LFE, you will feel expanded without unclear the details of the scene, such as a spinner that flies overhead and a buzzer that wakes up Ryan Gosling. < SPAN> However, the short race of Will Springs at the beginning of the movie is ideal to quickly operate the surround system. When Ken Miles, played by Christian Bale, gets out of Ford Cobra's open cockpit, you'll feel a strong wind coming from all sides. In the cabin, it is wrapped in broken windshield vibration, suspension, and gear gear. On the other hand, a seamless switch to an exterior shot can accurately detect a certain direction of a car that crosses the screen or slips off the course.

With an appropriate system, many layers of sounds should be intuitive and exciting without being overwhelmed. However, be careful when the mile breathing is focused and the harmonic drone begins to sneak up from behind. In the middle of the action, the impressio n-like audio storytelling will naturally wrap the viewers without being distracted or interrupted.

Blade Runner 2049 "(2017) --Spir 1

Blade Runner 204 9-Introduction & Amp; Amp; Opening scene [HD] --Youtube

"Blade Runner 2049", set 30 years after the previous event, is a work that has expanded the world view of the previous work rather than a sequel.

As with the first Blade Runner, "2049" also incorporates the sound into the score to create a uniform soundscape full of tonality, movement, and texture, ambiguous. In fact, the most most dolby atomos processed is music, which prevents the video from becoming narrowed at a long and intense moment.

If you look at the opening scene, you will immediately feel the music atmosphere. Like a subwoofer, one of the first sounds that impresses is a resonance and undulating bass. If your driver can handle LFE, you will feel expanded without unclear the details of the scene, such as a spinner that flies overhead and a buzzer that wakes up Ryan Gosling. However, the short race of the movie at the beginning of the movie is ideal to quickly operate the surround system. When Ken Miles, played by Christian Bale, gets out of Ford Cobra's open cockpit, you'll feel a strong wind coming from all sides. In the cabin, it is wrapped in broken windshield vibration, suspension, and gear gear. On the other hand, a seamless switch to an exterior shot can accurately detect a certain direction of a car that crosses the screen or slips off the course.

With an appropriate system, many layers of sounds should be intuitive and exciting without being overwhelmed. However, be careful when the mile breathing is focused and the harmonic drone begins to sneak up from behind. In the middle of the action, the impressio n-like audio storytelling will naturally wrap the viewers without being distracted or interrupted.

Blade Runner 2049 "(2017) --Spir 1

Blade Runner 204 9-Introduction & Amp; Amp; Opening scene [HD] --Youtube

"Blade Runner 2049", set 30 years after the previous event, is a work that has expanded the world view of the previous work rather than a sequel.

As with the first Blade Runner, "2049" also incorporates the sound into the score to create a uniform soundscape full of tonality, movement, and texture, ambiguous. In fact, the most most dolby atomos processed is music, which prevents the video from becoming narrowed at a long and intense moment.

If you look at the opening scene, you will immediately feel the music atmosphere. Like a subwoofer, one of the first sounds that impresses is a resonance and undulating bass. If your driver can handle LFE, you will feel expanded without unclear the details of the scene, such as a spinner that flies overhead and a buzzer that wakes up Ryan Gosling.

Some of 2049's most sonically revealing moments are its quietest, and there are plenty of them, especially when it comes to the dialogue. Later, in a scene through Wallace's reflective room, his direct voice is heard at a generic cost to create a sense of oppression and claustrophobia, while the vocal reverb is subtly cut to give a sense of vast space. You'll find that the monitors pull and hold focus, even as the delay and reverb tails invert everything.

Gravity (2013) - Chapter 1

Throughout Gravity's 90 minutes, as Sandra Bullock hurtles through the void of space with George Clooney at her side, the Academy Award-winning Dolby Atmos mix (available only on the Limited Edition Diamond Luxe Blu-ray or Special Edition HD Blu-ray) helps the viewer find focus in the confusing, empty terrain, while simultaneously increasing the sense of disorientation.

In a film where the lack of a dead end is a constant threat, the sound team decided to place it from the center of the screen, without dialogue, so they could follow it with the actors. In the opening scene, when the brick falls, Clooney's radio communication system can be heard from behind, front to back, tracing its terrifying trajectory. Since the audio plays in the system, it's a great way to check the definition of the rear speakers. And it's not just the dialogue that's allowed to float. The surround covers the entire range. It should move, swell, and clash with the action without becoming chaotic and losing rhythmic integrity.

With almost no atmosphere, the environment is used effectively to show the change in space. Yes, space. As Brick begins to drift, the camera zooms in on her helmet and we are drawn into outer space, where we hear it for the first time - air, breathing, and a hint of tetanus that trips us up. Even more dynamic is the fire scene later in the film, which burns overhead until the airlock closes, dragging everything down before crashing deep from the sky above. The vertical channel has a lot to contend with here.

Bohemian Rhapsody (2018) - Live Aid

Bohemian Rhapsody - Bohemian Rhapsody (Live Aid 1/4) [1080p] - YouTube

When I first watched Bohemian Rhapsody, I was distracted by Rami Malek's dental equipment and the amazing of Gwillim Lee's commitment to reproduce Brian Mayi's lon g-term unique hairstyles. There are many. However, the last 20 minutes of the movie, which almost completely reproduced the legendary live aid performance in Queen's Wembley, approached the live concert after a long absence, soundly, soundly.

The sound team of the movie has paid all efforts to respond to any camera angle in the marathon scene. With the help of a 1 6-truck archive that the BBC was secretly produced at the time, with the help of a queen sound engineer, he played a movie song at a stadium with nobody with 22 microphones before the concert. I was able to capture the atmosphere of PA. .